TAIS is dedicated to the art of independent animation.

As a non-profit, charitable, artist-run production centre, TAIS is dedicated to exploring and promoting the art of independent animation through production, screenings, workshops, and exhibitions. Founded in 1984, today TAIS’ artistic vision is shaped by support for the ever-broadening multidisciplinary and global context of the animated arts. Annually, TAIS programming seeks to prioritize diverse, intersectional, and progressive artistic and community-based interests that maintain support for the traditions of the discipline while also reflecting an evolving, expanded definition of animation.

Our membership continues to expand to include contemporary multidisciplinary artists, media artists, and 3D and VR animators who join the classical, digital hand-drawn, and stop motion animators that have long standing relationships with TAIS. Our members work in narrative and experimental styles, installation and web-based forms, and also explore animation as craft.

Annually, our public programming presents animation to audiences via screenings, exhibition, web, and through artist talks and studio visits with guest artists. We regularly partner with other groups and organizations to connect with new audiences and to inspire artists to explore animation in their artistic practice. We provide affordable access to studios and equipment for artists making animated work, and we hold regular community-based and educational workshop programs for those just starting out or seeking to add skills in animation to their artistic practice.

Guiding Values & Objectives

  • Exclusive support for the creation and presentation of independent animation.
  • Prioritization of diverse, intersectional, and progressive artistic and community-based interests via our operations, programming, and partnerships.
  • Inclusive, financially accessible services, programs, and resources.
  • Reflect an evolving, expanded definition of animation, while maintaining support for the traditions of the discipline.
  • Invite local, national, and international guest animation artists to lead workshops, present talks, and disseminate their work as means to support animators at all stages of development.
  • Present animation to local, provincial, national, and international audiences through partnerships and touring programs.
  • Coordinate community engagement projects and ongoing outreach via skills-building workshops delivered within the Greater Toronto Area and beyond, to communities in Southeastern Ontario.

The name Toronto comes to us from the Kanien’kéha name Tsi Tkarón:tó, meaning ‘there are trees in the water’. The Kanien’kéha:ka people, the People of the Flint, are a part of the Haudenosaunee Confederacy.

The Haudenosaunee and Anishinaabe Nations entered into an agreement around 1701 known as the Dish With One Spoon treaty. Dish With One Spoon, more broadly, is an Indigenous legal concept that dates back to the early 11th century. It describes the reciprocal responsibility of sharing territory, and caring for the land, water and animals, while maintaining each nation’s sovereignty.

There is a lot of work to be done to repair our relationship to the land, and to the Indigenous communities who experience the ongoing effects of settler colonialism. We can begin by recognizing the sovereignty of Indigenous peoples, and their right to governance of the land.

We can also begin to repair by reflecting on what the land means to us, and our place in its history. TAIS sits between Davenport and Dupont, streets that were built on some of the original portage trails used by Indigenous peoples. Davenport follows the longest First Nations trail in Ontario, known as Gete-Onigaming, or “the carrying place trail.” Today, we have the privilege of inviting artists from around the world to travel here, create art and share it. We’re grateful that we are able to support them.

This shared land has been home to many people throughout the years, namely the Wyandot people, the Mississauga, the Mississaugas of the Credit, as well as Indigenous people from across Turtle Island and around the world. We all share the responsibility of caring for it and ensuring its sustainability for all who come after us.

What’s said here has been said before – we encourage you to learn about this land and it’s history through Indigenous art, teachings and scholarship.

Myfanwy Ashmore

Managing Director

Myfanwy Ashmore is a media artist working in sculpture & new media technologies, holding an MFA from York University (1998), living in Canada. Their work has been exhibited extensively, including 2024 Digital Portraiture: Empathy In Virtual Worlds, with Cory Arcangel & Paper Rad, Angela Washko, JODI, Brody Condon, Eddo Stern, curated by Bob Bicknell-Knight, Is it This Gallery,[Senne] Brussels, Belgium, Show #32: Video Game Art 1970-2005, curated by Paul Slocum Including work by Cory Arcangel, John Horton Conway, JODI, Hacking/Modding/Remixing as Feminist Protest, Curated by Angela Washko, Miller Gallery, Carnegie Mellon University, Dreamlands: Immersive Cinema and Art, 1905–2016 (Episode 4 minute 20) Ways of Something: Lorna Mills) The Whitney Museum of American Art & (Permanent collection), Game Show at Surrey Art Gallery (Surrey), Arcadia University Gallery (Part of “The Big Nothing” Philadelphia), DeadTech Gallery (Chicago), Poster Project Seoul, Terraforms: Game Mods at Babycastles (NYC), Avatar: The New You, Australian Centre for Photography (Sydney), Zero Gamer (London Games Festival Fringe), Http Gallery/Furtherfield (London) and Play boys with GameBoys Smart Project Space (Amsterdam). She has taught new media and animation courses at Guelph University, York University, Toronto Metropolitan University and led workshops at Paved Art Media Art Centre (Saskatoon) and ISEA 2014 Workshops (Abu Dhabi and Dubai). She has been the recipient of numerous grants from The Toronto Arts Council, The Ontario Arts Council, and the Canada Council for the Arts. Other awards include being a finalist for the prestigious K.M. Hunter Award through the Ontario Arts Council and finalist for the coveted Glenfiddich Artist Residency Prize. Myfanwy became the Managing Director at TAIS in July 2019.

Charlotte Lavoie-Auspert

Studio Coordinator

Charlotte is an artist based in Montreal, now living in Toronto. Her mixed-media works are fuelled by her passion to question, understand and represent the human experience. She specializes in stop-motion animation, mashing together paper, puppets and printmaking to explore the bounds of materiality. She has had her work showcased at Toronto’s International Festival of Authors (TIFA), the 32nd Annual Intercollegiate Visual Arts Show (RIASQ), Toronto’s Alliance Française, Toronto’s Animated image society (TAIS), Carlton Cinema, Animation Festival of Berlin (FAB) and the Canlandiranlar International Film Festival in Istanbul. She has received awards for her various works namely the Madi Pillar Award (2023), Jury’s First place award (GradEx 2025) and the Bluma Appel Award (2025).

Each year TAIS partners with local post-secondary and secondary schools to provide opportunities for students. These placements are offered through OCAD University, Sheridan College, Seneca College, and/or the University of Toronto.

2026 TAIS Winter/Spring Student Placement

Azra Cetin

OCADU Student Placement

Azra, is a contemporary artist and a fourth year Experimental Animation student at OCAD University. She is originally from Istanbul, and their practice is inspired by heritage and the ways bodies exist within society. Azra is especially interested in large scale installations and immersive art, and primarily works with pixilation as their main animation technique.

TAIS also offers co-op placements for high school students. Contact info@tais.ca for more information.

Aisha Ghali

chair

Aisha Ghali is an artist who tells stories with moving images. They make a living working on a broad selection of mainstream productions for television and feature film. In recent years, their focus has shifted to crafting tailored visual narratives for unconventional projects.

Isaac King

vice-chair

Isaac King is an award-winning animation artist, filmmaker, commercial director, and teacher. Using various handmade techniques, his films focus on ecology and society with humour and warmth. Isaac has also made interactive animated installations and explored outdoor filmmaking. Isaac teaches Character Design and Animated Storytelling at OCAD U’s Experimental Animation Program.

Philip Eddolls

treasurer

Philip Eddolls is a dandy dresser, animation person, retired child actor and failed professional magician. A friend to most dogs, he’s been involved with TAIS since 2008. He also runs a local animation business and as such is well versed in how companies work. He happily lends those skills to TAIS, serving as its treasurer.

bekky O’Neil

secretary

bekky O’Neil is a multidisciplinary artist, animator, writer, director & producer based in Northumberland County, Ontario. She is a graduate of the Interdisciplinary Masters in Art, Media & Design at OCAD University with a focus on Animated Documentary and Sustainable Agriculture, and holds a BFA in Playwrighting and a second BFA in Film Animation from Concordia University.
bekky co-founded Cardboard Reality Farm & Studio where she collaborated with her partner on making films, cultivating permaculture solutions to the question of regenerative agriculture, and growing flowers from 2015 – 2024.
She is a part time Professor of Media Studies at Loyalist College in Belleville, and a sessional instructor in the Experimental Animation program at OCAD University in Toronto. bekky’s films have played and garnered awards at festivals around the world. Her work has been funded by the Canada Council for the Arts & The Ontario Arts Council.

Tobias Williams

programming committee chair

Tobias Williams is an artist and educator based in Toronto, Canada. He holds an MFA from York University and currently works as an instructor at OCAD U, Humber College and Toronto School of the Arts. His work has been shown both locally and internationally including exhibitions at Material Art fair in Mexico City, The Brandscape In Toronto, the AGM in Mississauga and an upcoming exhibition with Transmediale in Berlin. Tobias’s art and research practice uses 3d rendering and animation to explore the relationship between art, society and technology. Recent projects of his have focused on topics such as the history of Blockchain, the influence of platform based algorithms on contemporary visual culture and the ontology of virtual art spaces.

Una Di Gallo

director

Una Di Gallo is an award-winning animator and illustrator from Hamilton, Ontario. Since 2018 she’s worked in-house and freelance at a number of studios in Canada, and has directed two independent shorts. Most recently, she directed animation for a National Film Board documentary. She is now in production of her third film, Northened. In her spare time, she makes music and publishes a yearly zine.

Martha Grant

director

After completing a BA from the Rhode Island School of Design with a focus on stop motion animation, Martha has worked in creative and production roles on Academy Award Nominated feature films, short films screened at Sundance, SXSW, Ottawa Animation Festival and Annecy, and most recently the BAFTA-nominated CBCkids series, Kiri and Lou. As an independent director/producer she has created stop motion animated commercials, music videos and the short film, Llamas at the Laundromat– animated at TAIS!  In 2024, Martha will be producing a Canada Arts Council supported stop motion mini-series and complete post-graduate study in the Business of Film and Television. You can find her work at mgstopmotiongraphics.com and pony.productions

Aaron Long

director

Aaron Long is an animator, filmmaker and composer from Toronto with a diploma in Classical & Computer Animation from Max the Mutt Animation School. He has created multiple independent animated series including Sublo and Tangy Mustard (ongoing since 2015) and Fester Fish (2010-2013). He has directed on shows such as Bojack Horseman, Tuca & Bertie, Triptank and more. Aaron’s independent work has won awards and played at festivals around the world including solo spotlight screenings at Animation Block Party and Animest. He has directed and animated opening titles, music videos, special guest sequences, and commercials. He has worked on projects in development, self-published a book on making his indie series, taught workshops and been a guest speaker at various animation college programs across North America.

Felicity Morland

director

Felicity Morland is an independent filmmaker and animation artist based in Toronto. She’s most familiar with drawn frame by frame animation, such as her character animation on the A Fox In Space series. She has directed her first feature film Hand-Drawn: Documentary and is producing an animated short film titled Syrenka: Legend of the Warsaw Mermaid. She is forever passionate about cartoon artistry and all forms of tactile and empathetic filmmaking. Her roles include director, producer, animator, and editor on several projects across many genres. She has written successful grant applications for the Ontario Arts Council and Canada Council for the Arts and other funders to support animation projects. Felicity’s focus is now on making emotional and comedic animated films for the future.

Oshini Wanigasekera

director

Oshini Wanigasekera is a Toronto based actor, animator, dancer, illustrator, and filmmaker. Her television appearances include The Handmaid’s Tale (Hulu), Titans (HBO), Workin’ Moms (CBC), and Good Sam (CBS).  She has animated for Disney and Netflix series, video games, short films and original feature films by HighballTV. Oshini wrote and directed the award-winning film, What I Meant To Say, and the animated short, I Can’t Do This Anymore, which was produced for the TAIS Anti-Racism Residency. Her solo stage show, Brown People Can’t Be Ballerinas, premiered at the Mississauga Multilingual Fringe Festival in 2023. She is excited to serve the TAIS community.

Click to read the TAIS Code of Conduct for the Board of Directors, Committees of the Board, Staff, and Membership of the Toronto Animated Image Society.